|
1./-49 |
Studio Session for MGM, \\ circa Early 1955 MONO ONLY |
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Room No: |
Studio: |
Unknown? Studios, New York City, N.Y. |
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Hours: |
UN |
|
|
Producer: |
UN |
|
|
Engineer: |
UN |
|
55-XY-372 |
DIDNT I LOVE YOU ENOUGH |
2 2 |
|
K 12015 'B' |
LCR 001 |
BCD 15616 EI |
|
|
Paul Mann-Al Lewis |
(C) |
(P) 1955 |
|||||
|
55-XY-373 07 /-
|
FREDDY |
2 3 |
K 12015 'A' |
LCR 001 |
BCD 15616 EI |
||
|
Peter Pan-Sheldon Harnick-Gisela Guenther-Steve Kirk |
(C) |
(P) 1955 |
|||||
|
55-XY-374 07 /-
|
(OH PLEASE) MAKE HIM JEALOUS |
2 23" |
K 12056 'A' |
LCR 002 |
BCD 15616 EI |
||
|
Al Lewis-Larry Stock |
(C) |
(P) 1955 |
|||||
|
55-XY-375 06 /-
|
GOODY GOODBYE |
2 26" |
K 12056 'B' EP 658 |
LCR 001 |
BCD 15616 EI |
||
|
James Cavanaugh-Nat Simon |
(C) |
(P) 1955 |
|||||
|
Musicians: |
|||
|
Vocal: |
Connie Francis |
||
|
Orchestra Conducted By: |
Glenn Osser |
||
|
Backing vocals by |
|||
|
Vocal chorus by |
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|
Notes: |
|
|
These masters were purchased from Leeds Music in May 1955 |
||
|
2/-49. |
Studio Session for MGM, \\ October 17th, 1955 MONO ONLY |
|
Room No: |
Studio: |
Coastal Recording Co., Inc. A 40, New York City, NY |
|
Hours: |
10:00-13:00 |
|
|
Producer: |
Harry A. Meyerson |
|
|
Engineer: |
Unknown |
|
55-XY-614 11/of
|
ARE YOU SATISFIED |
2 3 |
K 12122 'A' |
LCR 003 |
BCD 15616 EI |
||
|
Sheb Wooley-Homer Escamelia |
(C) |
(P) 1955 |
|||||
|
55-XY-615 07/of
|
MY TREASURE |
2 4 |
K 12122 'B' |
LCR 003 |
BCD 15616 EI |
||
|
Cy Coben-/ Bill Templeton |
(C) |
(P) 1955 |
|||||
|
Musicians: |
|||
|
Vocal: |
Connie Francis |
||
|
Orchestra conducted by |
Joe Lipman |
||
|
Backing vocals by |
|||
|
Vocal chorus by |
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|
Notes: |
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|
3./-49 |
Studio Session for MGM, \\ February 6th, 1956 MONO ONLY |
|
Room No: A40 |
Studio: |
Coastal Recording Co., Inc. A 40, New York City, NY |
|
Hours: |
10:00-13:00 |
|
|
Producer: |
Harry A. Meyerson |
|
|
Engineer: |
Unknown |
|
56-XY-52 56-S-79 |
MY FIRST REAL LOVE * |
2 42" |
K 12191 'A' |
LCR 001 |
BCD 15616 EI |
||
|
Bobby Darin-Don Kirshner-George M. Scheck |
(C) |
(P) 1956 |
|||||
|
56-XY-53 |
BELIEVE IN ME (CREDEMI) |
2 38" |
English/Italian |
K 12191 'B' |
LCR 001 |
BCD 15616 EI |
|
|
Allessandro Cicognini-Carl Sigman |
(C) |
(P) 1956 |
|||||
|
Musicians: |
|||
|
Vocal: |
Connie Francis |
||
|
Orchestra conducted by |
Joe Lipman |
||
|
Backing vocals by |
THE JAYBIRDS (Bobby Darin dubs) * |
||
|
Vocal chorus by |
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|
Notes: |
|
|
THE JAYBIRDS (Bobby Darin, overdubbed vocals dubbed many times) |
||
|
4./-49 |
Studio Session for MGM?,\\ April 17th, 1956 MONO ONLY |
|
Room No: A40 |
Studio: |
Coastal Recording Co., Inc. A 40, New York City, NY |
|
Hours: |
14:00-17:30 |
|
|
Producer: |
Harry A. Meyerson |
|
|
Engineer: |
Unknown |
|
56-XY-257 07 /of
|
FORGETTING |
2' 4 |
First version |
K 12251 'A' |
LCR 002 |
BCD 15616 EI |
|
|
Bill Templeton/- Connie Francis |
(C) |
(P) 1955 |
|||||
|
56-XY-257 10 /of |
FORGETTING |
2' 4 |
Second version |
~ |
~ |
BCD 15616 EI |
|
|
Bill Templeton/ Connie Francis |
(C) |
(P) 1993 |
|||||
|
56-XY-258 11 /of
|
SEND FOR MY BABY |
2' 3 |
K 12251 'B' |
LCR 002 |
BCD 15616 EI |
||
|
Fred Rose-Hy Heath |
(C) |
(P) 1956 |
|||||
|
Musicians: |
|||
|
Vocal: |
Connie Francis |
||
|
Orchestra conducted by |
Leroy Holmes |
||
|
Backing vocals by |
|||
|
Vocal chorus by |
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|
Notes: |
|
|
5. /-49 |
Studio Session for MGM, \\ August 9th, 1956 MONO ONLY |
|
Room No: |
Studio: |
UN, New York City, NY |
|
Hours: |
UN |
|
|
Producer: |
UN |
|
|
Engineer: |
UN |
|
56-XY-516 56-S-743 |
I NEVER HAD A SWEETHEART |
2 4 |
K 12375 'A' EP 658 |
SINFONIA SLP 1001 |
BCD 15616 EI |
||
|
Glen Moore-Milton Subotsky |
(C) |
(P) 1956 |
|||||
|
56-XY-517 56-S-744 |
LITTLE BLUE WREN |
2 1 |
K 12375 'B' ~ |
SINFONIA SLP 1001 |
BCD 15616 EI |
||
|
Glen Moore-Milton Subotsky |
(C) |
(P) 1956 |
|||||
|
Musicians: |
|||
|
Vocal: |
Connie Francis |
||
|
Orchestra conducted by |
Ray Ellis |
||
|
Backing vocals by |
|||
|
Vocal chorus by |
|
|
Notes: |
|
|
Both Songs featured in the Movie "ROCK ROCK ROCK" |
||
|
6./-49 |
Studio Session for MGM, \\ August 14th, 1956 MONO ONLY |
|
Room No: A 40 |
Studio: |
Coastal Recording Co., Inc. A 40, New York City, NY |
|
Hours: |
14:00-17:30 |
|
|
Producer: |
Harry A. Meyerson |
|
|
Engineer: |
Unknown |
|
56-XY-404 10/of
|
EVERYONE NEEDS SOMEONE |
2 4 |
K 12335 'B' EP 686 |
LCR 002 |
BCD 15616 EI |
||
|
Alex Alstone-Mack Discant |
(C) |
(P) 1956 |
|||||
|
56-XY-405 10/of (7XSM-1312) 56-S-599 |
MY SAILOR BOY (LONELY, LONELY NAVY BLUES) |
2 3 |
K 12335 'A' ~ |
LCR 001 |
BCD 15616 EI |
||
|
Al Jacobs-/ Sherman Edwards |
(C) 1956 |
(P) 1956 |
Miller Music Corp |
||||
|
Musicians: |
|||
|
Vocal: |
Connie Francis |
||
|
Orchestra conducted by |
Leroy Holmes |
||
|
Backing vocals by |
|||
|
Vocal chorus by |
|
|
Notes: |
|
|
7/-49. |
Studio Session for MGM, \\ January 29th, 1957 MONO ONLY |
|
Room No: A 40 |
Studio: |
Coastal Recording Co., Inc. A 40, New York City, NY |
|
Hours: |
14:00-17:00 |
|
|
Producer: |
Harry A. Meyerson |
|
|
Engineer: |
Unknown |
|
57-XY-56 57-S-56 |
NO OTHER ONE |
2 29" |
First Recording |
K 12440 'A' EP 658 |
LCR 002 |
BCD 15616 EI |
|
|
Ivory Joe Hunter-Clyde Otis |
(C) |
(P) 1957 |
Session master |
Meridian Music Corp. BMI |
|||
|
57-XY-57 57-S-57 |
I LEANED ON A MAN |
2 20" |
K 12440 'B' ~ |
LCR 002 |
BCD 15616 EI |
||
|
Wayne Shanklin-Leonard Roseman |
(C) |
(P) 1957 |
Session Master |
M.Witmark & Sons ASCAP |
|||
|
Musicians: |
|||
|
Vocal: |
Connie Francis |
||
|
Orchestra conducted by |
Ray Ellis |
||
|
Backing vocals by |
|||
|
Vocal chorus by |
|
|
Notes: |
|
|
8/-49 |
Studio Session for MGM, \\ May 6th, 1957 MONO ONLY |
|
Room No: A 40 |
Studio: |
Coastal Recording Co., Inc. A 40, New York City, NY |
|
Hours: |
14:00-17:00 |
|
|
Producer: |
James Vienneau |
|
|
Engineer: |
Unknown |
|
57-XY-358 17/of 57-S- |
FADED ORCHID |
2 15" |
K 12490 'A'
|
LCR 001 |
BCD 15616 EI |
||
|
Jesse Stone-/ Jesse Stone |
(C) |
(P) 1957 |
Session Master |
Roosevelt Music BMI |
|||
|
57-XY-359 12/of 57-S- |
EIGHTEEN |
2 12" |
K 12490 'B' EP X 1599 |
LCR 002 |
BCD 15616 EI |
||
|
Bradford Boobis-Neil Nephew |
(C) |
(P) 1957 |
Session Master |
Meridian Music BMI |
|||
|
57-XY-360 ~ |
MY SISTER'S CLOTHES |
2 2 |
~ |
~ |
BCD 15616 EI |
||
|
?.Mann-?.Curtis |
(C) |
(P) 1993 |
|||||
|
Musicians: |
|||
|
Vocal: |
Connie Francis |
||
|
Orchestra conducted by |
Sid Bass |
||
|
Backing vocals by |
|||
|
Vocal chorus by |
|
|
Notes: |
|
|
9/-49. |
Studio Session for MGM, \\ September 5th, 1957 MONO ONLY |
|
Room No: |
Studio: |
UN, New York City, NY |
|
Hours: |
14:00-17:00 |
|
|
Producer: |
Harry A. Meyerson |
|
|
Engineer: |
Unknown |
|
57-XY-580 57-S- |
THE MAJESTY OF LOVE |
2 30" |
Duet/Marvin Rainwater |
K 12555 'A' ~ |
CMH 210 |
BCD 15616 EI |
|
|
Ben Raleigh-Don Wolf |
(C) |
(P) 1957 |
|||||
|
57-XY-581 57-S- |
YOU, MY DARLIN' YOU |
1 58" |
Duet/Marvin Rainwater |
K 12555 'B' ~ |
CMH 210 |
BCD 15616 EI |
|
|
Marvin Rainwater-/ Marvin Rainwater |
(C) |
(P) 1957 |
|||||
|
Musicians: |
|||
|
Vocals |
Connie Francis & Marvin Rainwater |
||
|
Orchestra conducted by |
Sid Bass |
||
|
Backing vocals by |
|||
|
Vocal chorus by |
|
|
Notes: |
|
|
10/-49. |
Studio Session for MGM, \\ October 2nd, 1957 MONO ONLY |
|
Room No: |
Studio: |
Coastal Recording Co., Inc. A 40, New York City, NY [OLMSTEAD Studio] |
|
Hours: |
10.00-14.00 |
|
|
Producer: |
Harry A. Meyerson |
|
|
Engineer: |
Unknown |
|
57-XY-622 02/of 2 57-S-622 |
WHO'S SORRY NOW? |
2 16" |
First Recording |
K 12588 'A' EP X 1599 |
E 3686 |
827 569-2 Y-1 |
|
|
Bert Kalmar-Harry Ruby-/Ted Snyder |
(C9 1923, renewed 1950, 1958. |
(P) 1957 |
Album master |
Mills Music,Inc ASCAP |
|||
|
57-XY-623 ~ |
PROMISE OF LOVE |
Unissued/Lost |
~ |
~ |
~ |
||
|
Moose Charlap-Chuck Sweeney |
(C) |
(P) ~ |
|||||
|
57-XY-624 57-S-624 |
YOU WERE ONLY FOOLING (WHILE I WAS FALLING IN LOVE) |
2 13" |
K 12588 'B' EP X 1599 |
LCR 003 |
BCD 15616 EI |
||
|
Billy Faber-Fred Meadows-/Larry Fotine |
(C) 1948 |
(P) 1957 |
disc transfer |
Shapiro Bernstein % Co ASCAP |
|||
|
Musicians: |
|||
|
Vocal: |
Connie Francis |
||
|
Orchestra conducted by |
Joe Lipman |
||
|
Backing vocals by |
|||
|
Vocal chorus by |
|
|
Notes: |
|
|
Session Master LOST. |
||
|
11/-49. |
Studio Session for WARNER BROS // Late 1957 MONO ONLY |
|
Room No: |
Studio: |
UN |
|
Hours: |
UN |
|
|
Producer: |
UN |
|
|
Engineer: |
UN |
|
|
FOR CHILDREN OF ALL AGES |
1'56" |
SOLO |
~ |
WB .no number |
||
|
?.Lowe-?. Mann |
(C) |
(P) 1957 |
|||||
|
|
SIEMPRE |
2'11" |
SOLO |
~ |
WB .no number |
||
|
Aaron Schroeder-Martin Kalmanoff- Milton Subotsky |
(C) |
(P) 1957 |
|||||
|
|
WHO ARE WE TO SAY ? # |
2'27" |
Duet/Paul Carr |
~ |
WB . no number |
||
|
Ira Kosloff- T. Pray |
(C) |
(P) 1957 |
|||||
|
|
24 HOURS A DAY # |
1'29" |
Duet/Paul Carr |
~ |
WB . no number |
||
|
Aaron Schroeder-Martin Kalmanoff |
(C) |
(P) 1957 |
|||||
|
Musicians: |
|||
|
Vocal: |
Connie Francis and Paul Carr # |
||
|
Orchestra conducted by |
Noel Hefti |
||
|
Backing vocals by |
|||
|
Vocal chorus by |
|
|
Notes: |
|
|
ALL tracks featured ONLY on the Soundtrack Motion Picture 'DISC JOCKEY JAMBOREE' |
||
|
12/-49. |
Studio Session for MGM, \\ Early, 1958 |
|
Room No: |
Studio: |
Possibly, New York City, NY |
|
Hours: |
UN |
|
|
Producer: |
UN |
|
|
Engineer: |
UN |
|
58-XY-279 |
I'M BEGINNING TO SE E THE LIGHT * |
2 43" |
MONO |
HK 5051 'A' EP X 1604 |
E 3686 |
BCD 15616 EI |
|
|
Harry James-Duke Ellington-Johnny Hodges-Don George |
(C) |
(P) 1958 |
Album Master |
Grand Music Corp ASCAP |
|||
|
58-XY-280 ~ |
I'LL GET BY (AS LONG AS I HAVE YOU) |
First Recording Unissued/Lost |
~ |
~ |
~ |
||
|
Roy Turk-Fred Ahlert |
(C) |
(P) ~ |
|||||
|
Musicians: |
|||
|
Vocal: |
Connie Francis |
||
|
Orchestra conducted by |
Joe Lipman |
||
|
Backing vocals by |
|||
|
Vocal chorus by |
|
|
Notes: |
|
|
Session mono/ - [Stereo Master [LOST] |
||
|
I'm Beginning to See the Light-[Not certain if this belongs to this session] |
|
13/-49. |
Studio Session for MGM, \\ March 20th, 1958 |
|
Room No: A 40 |
Studio: |
Coastal Recording Co., Inc. A 40, New York City, NY |
|
Hours: |
19:00-22:00 |
|
|
Producer: |
Morton Craft |
|
|
Engineer: |
UN |
|
58-XY-384 12/of
|
I'M SORRY I MADE YOU CRY |
2 23" |
MONO |
K 12647 'A' EP X 1690 |
E 3793 |
827 569-2 Y-1 |
|
|
N.Jeannine Clesi-/ N.Jeannine Clesi |
(C) 1916, 1918, ren 1944, 1958 |
(P) 1958 |
Leo Feist Inc ASCAP |
||||
|
58-XY-385 ~ |
I CRIED FOR YOU |
2 47" |
MONO |
~ |
E 3686 |
BCD 15616 EI |
|
|
Arthur Freed-Gus Arnheim-Abe Lyman |
(C) |
(P) 1958 |
Miller Music ASCAP |
||||
|
58-XY-386 (7XSM 547) |
YOU ALWAYS HURT THE ONE YOU LOVE |
2 17" |
MONO First Recording STUDIO version |
MGM 998 'A' EP X 1605 |
E 3686 |
||
|
Allan Roberts- Doris Fisher |
(C) |
(P) 1958 |
Pickwick Music Corp ASCAP |
||||
|
58-XY-387 (7XSM 546) |
I'LL GET BY (AS LONG AS I HAVE YOU) |
2 35" |
MONO Second Recording |
MGM 993 'B' EP X 1605 |
E 3686 |
||
|
Roy Turk-Fred Ahlert |
(C) |
(P) 1958 |
Bourne Inc ASCAP |
||||
|
Musicians: |
|||
|
Vocal: |
Connie Francis |
||
|
Orchestra conducted by |
Joe Lipman |
||
|
Backing vocals by |
|||
|
Vocal chorus by |
|
|
Notes: |
|
|
STEREO MASTER 'LOST' |
||
|
14/-49 |
Studio Session for MGM, \\ March 31st, 1958 |
|
Room No: |
Studio: |
Coastal Recording Co., Inc. A 40, New York City, NY |
|
Hours: |
18:00-22:30 |
|
|
Producer: |
Morton Craft |
|
|
Engineer: |
UN |
|
58-XY-381 ~ |
LOCK UP YOUR HEART |
2 2 |
SLOW version |
~ |
~ |
BCD 15616 EI |
|
|
Anthony September-Ted Gary |
(C) |
(P) 1993 |
Wildcat Music BMI |
||||
|
58-XY-381 58-S- |
LOCK UP YOUR HEART |
2 25" |
ROCK version |
K 12647 'B' EPF 25 |
LCR 001 |
BCD 15616 EI |
|
|
Anthony September-Ted Gary |
(C) |
(P) 1958 |
Wildcat Music BMI |
||||
|
58-XY-427 58-S- |
HEARTACHES |
2 30" |
MONO |
K 12669 'B' EP X 1604 |
E 3686 |
BCD 15616 EI |
|
|
John Klenner-Al Hoffman |
(C) |
(P) 1958 |
Leeds Music Corp ASCAP |
||||
|
58-XY-428 ~ |
I'M NOBODY'S BABY |
2 19" |
MONO |
HK 5051 'B' EP X 1604 |
E 3686 |
BCD 15616 EI |
|
|
Benny Davis-Milton Ager-Lester Santly |
(C) |
(P) 1958 |
Leo Feist Corp ASCAP |
||||
|
58-XY-429 58-S- |
MY MELANCHOLY BABY |
3 50" |
MONO |
LL 2063 'A' EP X 1604 |
E 3686 |
BCD 15616 EI |
|
|
Ernie Burnett-George.A.Norton-Maybelle.E. Watson |
(C) |
(P) 1958 |
Shapiro, Bernstein & Jerry Vogel ASCAP |
||||
|
58-XY-429 02/-6 takes ~ |
MY MELANCHOLY BABY |
3' 5 |
STEREO |
~ |
~ |
BCD 15616 EI |
|
|
Ernie Burnett-George.A. Norton-Maybelle.E. Watson |
(C) |
(P) 1993 |
Shapiro, Bernstein & Jerry Vogel ASCAP |
||||
cont...from 14
|
Musicians: |
|||
|
Vocal: |
Connie Francis |
||
|
Orchestra conducted by |
Joe Lipman |
||
|
Backing vocal by |
|||
|
Vocal chorus by |
|
|
Notes: |
|
|
15/-49. |
Studio Session for MGM, \\ April 21st, 1958 |
|
Room No: A 40 |
Studio: |
Coastal Recording Co. Inc. , A 40, New York City, NEW YORK , U::S::A |
|
Hours: |
20:00-00:00 |
|
|
Producer: |
Morton Craft |
|
|
Engineer: |
UN |
|
58-XY-492 19/of 58-S- |
I MISS YOU SO |
2 23" |
MONO |
K 12669 'A' EP X 1603 |
E 3686 |
BCD 15616 EI |
|
|
Jimmy Henderson-Bertha Scott-Sydney Robin |
(C) |
(P) 1958 |
Leeds Music ASCAP |
||||
|
58-XY-493 ~ |
IT'S THE TALK OF THE TOWN |
2 47" |
MONO |
~ |
E 3686 |
BCD 15616 EI |
|
|
Jerry Levinson-Marty Symes -Al Neiburg |
(C) |
(P) 1958 |
Santly-Joe Inc ASCAP |
||||
|
58-XY-494 ~ |
IF I HAD YOU |
2 17" |
MONO |
~ |
E 3686 |
BCD 15616 EI |
|
|
T.Shapiro-J.Campbell-R.Connelly |
(C) |
(P) 1958 |
Robbins Music ASCAP |
||||
|
58-XY-495 58-S- |
HOW DEEP IS THE OCEAN |
2 35" |
MONO |
LL 2063 'B' EP X 1605 |
E 3686 |
BCD 15616 EI |
|
|
Irving Berlin-/ Irving Berlin |
(C) |
(P) 1958 |
Irving Berlin ASCAP |
||||
|
Musicians: |
|||
|
Vocal: |
Connie Francis |
||
|
Orchestra conducted by |
Joe Lipman |
||
|
Backing vocals by |
|||
|
Vocal chorus by |
|
|
Notes: |
|
|
16/-49. |
Studio Session for MGM, \\ June 9th, 1958 |
|
Room No: |
Studio: |
Metropolitan, New York City, NY |
|
Hours: |
18:00-21:00 |
|
|
Producer: |
Morton Craft |
|
|
Engineer: |
UN |
|
58-XY-653 45/ of 45 takes 58-S- |
CAROLINA MOON |
2 30" |
K 12683 'B' EP X 1689 |
E 3793 |
|||
|
Benny Davis-/ Joe Burke |
(C) 1928 |
(P) 1958 |
Cromwell Music ASCAP |
||||
|
Musicians: |
|||
|
Vocal: |
Connie Francis |
||
|
Orchestra conducted by |
Joe Lipman |
||
|
Backing vocals by |
|||
|
Vocal chorus by |
|
|
Notes: |
|
|
17. |
Studio Session for MGM, \\ June 18th, 1958 |
|
Room No: |
Studio: |
Metropolitan, New York City, NY |
|
Hours: |
14:00-17:00 |
|
|
Producer: |
Morton Craft |
|
|
Engineer: |
UN |
|
58-XY-693 (106, 600 ) |
STUPID CUPID |
2 10" |
STEREO First Recording |
K 12683 'A' EP X 1688 |
E 3793 SE 4167 |
827 569-2 |
|
|
Neil Sedaka-Howard Greenfield |
(C) 1958 |
(P) 1958 |
Aldon Music BMI |
||||
|
Musicians: |
|||
|
Vocal: |
Connie Francis |
||
|
Orchestra conducted by |
Leroy Holmes |
||
|
Backing vocals by |
|||
|
Piano: |
Neil Sedaka |
|
|
Notes: |
|
|
Neil Sedaka on Piano |
||
|
New master No assigned in 1970[ 106.600] |
|
18/-49. |
Studio Session for MGM, \\ September 2nd, 1958 |
|
Room No: |
Studio: |
Metropolitan, New York City, NY |
|
Hours: |
19:00-22:30 |
|
|
Producer: |
Morton Craft |
|
|
Engineer: |
UN |
|
58-XY-980 12/of 58-S- |
HAPPY DAYS AND LONELY NIGHTS |
2 10" |
K 12713 'B' EP X 1688 |
E 3793 |
831 698-2 |
||
|
Fred Fisher-Billy Rose |
(C) |
(P) 1958 |
|||||
|
58-XY-981 22/of (7XSM-981) 58-S- |
FALLIN ' * |
2 12" |
K 12713 'A' EP X 1688 |
E 3793 |
827 569-2 |
||
|
Neil Sedaka-Howard Greenfield |
(C) 1958 |
(P) 1958 |
|||||
|
Musicians: |
|||
|
Vocal: |
Connie Francis |
||
|
Orchestra conducted by |
Morty Craft |
||
|
Backing vocals by |
|||
|
Clapping by * |
|
|
Notes: |
|
|
19/-49. |
Studio Session for MGM, \\ November 6th, 1958 |
|
Room No: |
Studio: |
Radio Recorders, Hollywood California |
|
Hours: |
14:00-18:00 |
|
|
Producer: |
Morton Craft & Jesse Kaye |
|
|
Engineer: |
UN |
|
58-XY-1051 08/of ~ |
YOU'RE MY EVERYTHING |
2 3 |
~ |
LCR 001 |
BCD 15616 EI |
||
|
H.Warren-M.Dixon-J.Young |
(C) |
(P) 1958 |
Harms Inc ASCAP |
||||
|
58-XY-1052 16/of 58-S- |
MY HAPPINESS |
2 28" |
First Recording |
K 12738 'A' SK 50117 'A' EP X 1655 |
E 3793 SE 4167 |
827 569-2 |
|
|
Betty Peterson-/ Barney Bergantine |
(C) 1928 |
(P) 1958 |
Happiness Music ASCAP |
||||
|
58-XY-1053 07/of ~ |
DON'T SPEAK OF LOVE |
2 1 |
~ |
LCR 002 |
BCD 15616 EI |
||
|
Gary Bruce-Billy Ward |
(C) |
(P) 1959 |
|||||
|
58-XY-1054 11/of ~ |
LOVE EYES |
2 4 |
~ |
~ |
837 196-2 |
||
|
Moose Charlap-Norman Gimbel |
(C) |
(P) 1993 |
|||||
|
Musicians: |
|||
|
Vocal: |
Connie Francis |
||
|
Orchestra conducted by |
David Rose |
||
|
Backing vocals by |
|||
|
Vocal chorus by |
|
|
Notes: |
|
|
20/-49. |
Studio Session for MGM, \\ November 13th, 1958 |
|
Room No: |
Studio: |
Metropolitan, New York city, New York |
|
Hours: |
19:00-22:00 |
|
|
Producer: |
Morton Craft |
|
|
Engineer: |
UN |
|
58-XY-1216 58-S- |
NEVER BEFORE |
2 15" |
K 12738 'B' SK 50117 EP X 1655 |
LCR 001 |
BCD 15616 EI |
||
|
Moose Charlap-Norman Gimbel |
(C) |
(P) 1958 |
Saunders Publ ASCAP |
||||
|
Musicians: |
|||
|
Vocal: |
Connie Francis |
||
|
Orchestra conducted by |
Leroy Holmes |
||
|
Backing vocals by |
|||
|
Vocal chorus by |
|
|
Notes: |
|
|
21/-49. |
Studio Session for 20th CENTURY FOX, \\ Late, 1958 |
|
Room No: |
Studio: |
UN |
|
Hours: |
UN |
|
|
Producer: |
UN |
|
|
Engineer: |
UN |
|
|
IN THE VALLEY OF LOVE |
opening credits version |
~ |
~ |
|||
|
Harry Harris-/ Harry Harris |
(C) |
(P) |
Soundtrack |
Robbins Music Corp |
|||
|
|
STROLLING DOWN THE LANE WITH BILLY |
~ |
~ |
||||
|
(C) |
(P) |
Soundtrack |
|||||
|
|
IF THE SAN FRANCISCO HILLS COULD ONLY TALK (PICKIN' SHOVEL) |
~ |
~ |
||||
|
(C) |
(P) |
Soundtrack |
|||||
|
|
IN THE VALLEY OF LOVE |
Credits version- WITH voices |
~ |
~ |
|||
|
Harry Harris-/ Harry Harris |
(C) |
(P) |
Soundtrack |
Robbins Music Corp |
|||
|
|
IN THE VALLEY OF LOVE |
Credits version |
~ |
~ |
|||
|
Harry Harris-/ Harry Harris |
(C) |
(P) |
Soundtrack |
Robbins Music Corp |
|||
|
Musicians: |
|||
|
Vocal: |
Connie Francis |
||
|
Orchestra conducted by |
Muir Mathieson |
||
|
Backing vocals by |
|||
|
Vocal chorus by |
|
|
Notes: |
|
|
Tracks exclusive to SOUNDTRACK THE SHERRIF OF FRACTURED JAW starring Kenneth Moore & Jayne Mansfield |
||
|
22/-49. |
Studio Session for MGM, \\ Late, 1958 |
|
Room No: |
Studio: |
UN |
|
Hours: |
UN |
|
|
Producer: |
UN |
|
|
Engineer: |
UN |
|
58-XY- (7XSM-548) 58-S- |
IN THE VALLEY OF LOVE |
2' |
MONO Second Recording Studio version |
MGM 998 'B' EP 686 |
LCR 002 519.131-1 |
519.131-2 |
|
|
Harry Harris-/ Harry Harris |
(C) 1958 |
(P) 1958 |
Mono Session Master |
Robbins Music Corp |
|||
|
Musicians: |
|||
|
Vocal: |
Connie Francis |
||
|
Orchestra conducted by |
Muir Mathieson |
||
|
Backing vocals by |
|||
|
Vocal chorus by |
|
|
Notes: |
|
|
Stereo session master "LOST" |
||
|
23/-49. |
Studio Session for MGM, \\ January 14th, 1959 |
|
Room No: |
Studio: |
UN |
|
Hours: |
UN |
|
|
Producer: |
UN |
|
|
Engineer: |
UN |
|
59-XY-323 ~ |
TIME AFTER TIME |
3 09" |
8002 'B' EP SX 1663 |
E 3761 |
GRF 181 |
||
|
Jules Styne-Sammy Cahn |
(C) |
(P) 1959 |
Sands Music ASCAP |
||||
|
Musicians: |
|||
|
Vocal: |
Connie Francis |
||
|
Orchestra conducted by |
Ray Ellis |
||
|
Backing vocals by |
|||
|
Vocal chorus by |
|
|
Notes: |
|
|
24/-49. |
Studio Session for MGM, \\ February 1st, 1959 |
|
Room No: |
Studio: |
UN |
|
Hours: |
UN |
|
|
Producer: |
UN |
|
|
Engineer: |
UN |
|
59-XY-324 ~ |
BLAME IT ON MY YOUTH |
2 51" |
EP SX 1665 |
E 3761 |
BCD 15616 EI |
||
|
Oscar Levant-Edward Heyman |
(C) |
(P) 1959 |
T.B.Harms,Co ASCAP |
||||
|
59-XY-325 ~ |
HOW DID HE LOOK |
3 36" |
EP SX 1663 |
E 3761 SE 3761 |
BCD 15616 EI |
||
|
Abner Silver-Gladys Shelley |
(C) |
(P) 1959 |
Lincoln Music ASCAP |
||||
|
59-XY-326 ~ |
THAT'S ALL |
3 17" |
EP SX 1664 |
E 3761 |
BCD 15616 EI |
||
|
Bob Haymes-Alan Brandt |
(C) |
(P) 1959 |
Portrait Music BMI |
||||
|
Musicians: |
|||
|
Vocal: |
Connie Francis |
||
|
Orchestra conducted by |
Ray Ellis |
||
|
Backing vocals by |
|||
|
Vocal chorus by |
|
|
Notes: |
|
|
25/-49. |
Studio Session for MGM, \\ February 9th, 1959 |
|
Room No: |
Studio: |
Metropolitan, New York City, NY |
|
Hours: |
19:00-22:00 |
|
|
Producer: |
Ray Ellis |
|
|
Engineer: |
UN |
|
59-XY-376 59-S- |
TOWARD THE END OF THE DAY |
2 3 |
First Recording (Beat version) |
K 12769 'B' EP X 1662 |
LCR 002 |
BCD 15616 EI |
|
|
Allan Stillman-A .Jeffrey |
(C) |
(P) 1959 |
Francon Music ASCAP |
||||
|
59-XY-377 ~ |
I REALLY DON'T WANT TO KNOW # |
3 0 |
First Recording (rock 'n' roll version) |
~ |
~ |
BCD 15616 EI |
|
|
Howard Bames-Don Robertson |
(C) |
(P) 1993 |
Acetate |
||||
|
59-XY-378 06/of ~ |
NO ONE TO CRY TO |
2 3 |
~ |
831.698-1 |
831 698-2 |
||
|
Sid Robin-Foy Willing |
(C) |
(P) 1987 |
|||||
|
59-XY-379 07/of 59-S- |
IF I DIDN'T CARE |
2 36" |
First Recording |
K 12769 'A' EP X 1662 |
E 3793 |
||
|
Jack Lawrence-/ Jack Lawrence |
(C) |
(P) 1959 |
Chappell & Co ASCAP |
||||
|
59-XY-380 02/of ~ |
IF YOU LOVE ME TONIGHT |
False start |
~ |
~ |
BCD 15616 EI |
||
|
?.Mann-/?. Mann |
(C) |
(P) 1993 |
|||||
|
59-XY-380 06/of ~ |
IF YOU LOVE ME TONIGHT |
2 2 |
EP X 1662 |
LCR 001 |
BCD 15616 EI |
||
|
?. Mann-/?.Mann |
(C) |
(P) 1959 |
|||||
|
Musicians: |
|||
|
Vocal: |
Connie Francis |
||
|
Orchestra conducted by |
Ray Ellis |
||
|
Backing vocals by |
|||
|
Vocal chorus by |
cont..25--
|
|
Notes: |
|
|
# Taken from Acetate as master is lost |
||
|
26/-49. |
Studio Session for MGM, \\ February 11th, 1959 |
|
Room No: |
Studio: |
UN |
|
Hours: |
UN |
|
|
Producer: |
UN |
|
|
Engineer: |
UN |
|
59-XY-420 59-S- |
COME RAIN OR COME SHINE |
2 16" |
K 2008 'A' 73063 'B' EP SX 1663 |
E 3761 |
BCD 15616 EI |
||
|
Harold Arlen-Johnny Mercer |
(C) |
(P) 1959 |
DeSylva,Brown & Henderson Inc. ASCAP |
||||
|
59-XY-421 59-S- |
ALL BY MYSELF |
2 30" |
K 2008 'B' EP SX 1664 |
E 3761 |
BCD 15616 EI |
||
|
Irving Berlin-/ Irving Berlin |
(C) |
(P) 1959 |
Irving Berlin Music Corp. ASCAP |
||||
|
Musicians: |
|||
|
Vocal: |
Connie Francis |
||
|
Orchestra conducted by |
Ray Ellis |
||
|
Backing vocals by |
|||
|
Vocal chorus by |
|
|
Notes: |
|
|
27/-49. |
Studio Session for MGM, \\ February 18th, 1959 |
|
Room No: |
Studio: |
UN |
|
Hours: |
UN |
|
|
Producer: |
UN |
|
|
Engineer: |
UN |
|
59-XY-389 ~ |
HOLD ME, THRILL ME,KISS ME |
3 39" |
EP X 1664 EP SX 1664 |
E 3761 |
BCD 15616 EI |
||
|
Harry Noble-/ Harry Noble |
(C) 1952 |
(P) 1959 |
Mills Music Inc ASCAP |
||||
|
59-XY-390 ~ |
THE SONG IS ENDED (BUT THE MELODY LINGERS ON) |
2 00" |
EP X 1665 EP SX 1665 |
E 3761 |
BCD 15616 EI |
||
|
Irving Berlin-/ Irving Berlin |
(C) |
(P) 1959 |
Irving Berlin Music ASCAP |
||||
|
59-XY-391 ~ |
THERE WILL NEVER BE ANOTHER YOU |
1 51" |
MONO version |
EP X 1665 |
E 3761 |
||
|
Harry Warren-Mack Gordon |
(C) |
(P) 1959 |
Mayfair Music Corp ASCAP |
||||
|
59-XY-391 ~ |
THERE WILL NEVER BE ANOTHER YOU |
1 51" |
STEREO version |
EP SX 1665 |
SE 3761 |
BCD 15616 EI |
|
|
Harry Warren-Mack Gordon |
(C) |
(P) 1959 |
Mayfair Music Corp. ASCAP |
||||
|
59-XY-392 ~ |
MELANCHOLY SERENADE |
3 38" |
EP X 1665 EP SX 1665 |
E 3761 |
BCD 15616 EI |
||
|
Jackie Gleason-Duke Enston |
(C) |
(P) 1959 |
Song Smith Inc. ASCAP |
||||
|
59-XY-404 59-S- |
ROCK-A-BYE YOUR BABY WITH A DIXIE MELODY |
2 26" |
First Recording (Studio version) |
SB-10 'A' EP X 1664 EP SX 1664 |
E 3761 |
BCD 15616 EI |
|
|
Sam Lewis-Joe Young-Jean Schwartz |
(C) |
(P) 1959 |
Mills Music/ Warock Music. ASCAP |
||||
|
59-XY-405 59-S- |
HALLELUJAH, I LOVE HIM SO |
3 01" |
73062 'B' EP X 1663 EP SX 1663 |
E 3761 |
BCD 15616 EI |
||
|
Ray Charles-/ Ray Charles |
(C) |
(P) 1959 |
Progressive Music Publ Com BMI |
||||
cont..27
|
Musicians: |
|||
|
Vocal: |
Connie Francis |
||
|
Orchestra conducted by |
Ray Ellis |
||
|
Backing vocals by |
|||
|
Vocal chorus by |
|
|
Notes: |
|
|
28./-49 |
Studio Session for MGM, \\ March 4th, 1959 |
|
Room No: |
Studio: |
EMI Studio, Abbey Road, London, England |
|
Hours: |
UN |
|
|
Producer: |
UN |
|
|
Engineer: |
UN |
|
59-XY-651 ~ |
MY THANKS TO YOU |
3' 32" |
EP SX 1675 |
E 3776 |
BCD 15616 EI |
||
|
Norman Newell-Noel Gay |
(C) |
(P) 1959 |
Leeds Music ASCAP |
||||
|
59-XY-652 ~ |
THE BELLS OF ST MARY'S |
2' 30" |
EP SX 1675 |
E 3776 |
BCD 15616 EI |
||
|
Emmett Adams-Douglas Furber |
(C) |
(P) 1959 |
Chappell & Co ASCAP |
||||
|
59-XY-653 ~ |
GOOD LUCK, GOOD HEALTH, GOD BLESS YOU |
2 1 |
~ |
C 782 |
BCD 15616 EI |
||
|
Emmett Adams-LeRoyal |
(C) |
(P) 1959 |
|||||
|
59-XY-654 ~ |
A GARDEN IN THE RAIN |
3' 08" |
EP SX 1675 |
E 3776 |
BCD 15616 EI |
||
|
Carroll Gibbons-James Dyrenforth |
(C) |
(P) 1959 |
Campbell-Connelly Inc ASCAP |
||||
|
Musicians: |
|||
|
Vocal: |
Connie Francis |
||
|
Orchestra conducted by |
1/ Geoff Love (16 Musicians) |
||
|
Orchestra conducted by |
**Tony Osborne |
||
|
Backing vocals by |
|
|
Notes: |
|
|
29./-49 |
Studio Session for MGM, \\ March 5th, 1959 |
|
Room No: |
Studio: |
EMI Studio, Abbey Road, London England |
|
Hours: |
UN |
|
|
Producer: |
UN |
|
|
Engineer: |
UN |
|
59-XY-655 ~ |
TRY A LITTLE TENDERNESS |
3' 50" |
~ |
E 3776 |
BCD 15616 EI |
||
|
Harry Woods-Jimmy Campbell-Reg Connelly |
(C) |
(P) 1959 |
Robbins Music ASCAP |
||||
|
59-XY-656 ~ |
GOODNIGHT SWEETHEART |
3' 16" |
LL 2067 'B' EP SX 1677 |
E 3776 |
BCD 15616 EI |
||
|
Ray Noble- Reg Connelley- Jas. Campbell Rudy Vallee |
(C) |
(P) 1959 |
Robbins Music ASCAP |
||||
|
59-XY-657 ~ |
CRUISING DOWN THE RIVER |
2' 24" |
73077 'B' EP SX 1677 |
E 3776 |
BCD 15616 EI |
||
|
Nell Tollerton-Eily Bendell |
(C) |
(P) 1959 |
Warock Music/-Campbell-Connelly Inc. ASCAP |
||||
|
59-XY-658 ~ |
I'LL CLOSE MY EYES (AND MAKE BELIEVE ITS YOU) |
3' 36" |
First Recording UK version |
EP SX 1676 |
E 3776 |
BCD 15616 EI |
|
|
Buddy Kaye-Billy Reid |
(C) |
(P) 1959 |
Peter Maurice Music Co.Ltd. ASCAP |
||||
|
59-XY-659 ~ |
I'LL CLOSE MY EYES (AND MAKE BELIEVE ITS YOU) |
3' 21" |
Second Recording 1st USA version |
~ |
~ |
BCD 15616 EI |
|
|
Buddy Kaye- Billy Reid |
(C) |
(P) 1993 |
|||||
cont..29
|
Musicians: |
|||
|
Vocal: |
Connie Francis |
||
|
Orchestra conducted by |
* Geoff Love (16 Musicians) |
||
|
Orchestra conducted by |
**Tony Osborne |
||
|
Backing vocals by |
|
|
Notes: |
|
|
30./-49 |
Studio Session for MGM, \\ March 6th, 1959 |
|
Room No: |
Studio: |
EMI Studio, Abbey Road, London England |
|
Hours: |
UN |
|
|
Producer: |
UN |
|
|
Engineer: |
UN |
|
59-XY-660 ~ |
THE VERY THOUGHT OF YOU |
3' 47" |
EP SX 1676 |
E 3776 |
BCD 15616 EI |
||
|
Ray Noble-/ Ray Noble |
(C) |
(P) 1959 |
M. Witmark & Sons ASCAP |
||||
|
59-XY-661 ~ |
THESE FOOLISH THINGS (REMIND ME OF YOU) |
4' 20" |
EP SX 1677 |
E 3776 |
BCD 15616 |
||
|
Jack Strachey-Harry Link-Holt Marvell |
(C) 1933 |
(P) 1959 |
Bourne Inc ASCAP |
||||
|
59-XY-662 ~ |
A TREE IN THE MEADOW |
3' 27" |
LL 2067 A EP SX 1676 |
E 3776 |
BCD 15616 EI |
||
|
Billy Reid-/ Billy Reid |
(C) |
(P) 1959 |
Shapiro, Bernstein & Co ASCAP. |
||||
|
59-XY-663 ~ |
THE GYPSY |
3' 00" |
EP SX 1677 |
E 3776 |
BCD 15616 EI |
||
|
Billy Reid-/ Billy Reid |
(C) |
(P) 1959 |
Leeds Music ASCAP |
||||
|
59-XY-664 ~ |
NOW IS THE HOUR |
2' 35" |
EP SX 1676 |
E 3776 |
BCD 15616 EI |
||
|
Maewa Kaihan-Clement Scott-Dorothy Stewart |
(C) |
(P) 1959 |
Leeds Music ASCAP |
||||
cont...30
|
Musicians: |
|||
|
Vocal: |
Connie Francis |
||
|
Orchestra conducted by |
* Geoff Love (16 Musicians) |
||
|
Orchestra conducted by |
** Tony Osborne |
||
|
Backing vocals by |
|
|
Notes: |
|
|
31./-49 |
Studio Session for MGM, \\ April 15th, 1959 |
|
Room No: |
Studio: |
Metropolitan, New York city, New York |
|
Hours: |
19.00-22.00 |
|
|
Producer: |
Ray Ellis |
|
|
Engineer: |
UN |
|
59-XY-562 59-S- |
YOU'RE GONNA MISS ME |
2 40" |
K 12824 B X 1687 |
E 3793 |
827 569-2 Y-1 |
||
|
Eddie Curtis-/ Eddie Curtis |
(C) |
(P) 1959 |
Aida Music ASCAP |
||||
|
59-XY-563 59-S- |
FRANKIE |
2 35" |
First Recording |
K 12793 'B' X 1687 |
E 3793 SE 4167 |
827 569-2 Y-1 |
|
|
Neil Sedaka-Howard Greenfield |
(C) 1959 |
(P) 1959 |
Aldon Music BMI |
||||
|
59-XY-564 59-S- |
LIPSTICK ON YOUR COLLAR |
2' 25" |
First Recording |
K 12793 'A' X 1687 |
E 3793 SE 4167 |
827 569-2 Y-1 |
|
|
Edna Lewis-/ George Goehring |
(C) 1959 |
(P) 1959 |
Joy Music Inc ASCAP |
||||
|
59-XY-565 ~ |
OH, FRANKIE |
2 1 |
~ |
831.698-1 |
831 698-2 |
||
|
Lannie & Ginger Grey |
(C) 1959 |
(P) 1987 |
|||||
|
Musicians: |
|||
|
Vocal: |
Connie Francis |
||
|
Orchestra conducted by |
Ray Ellis (18 Musicians) |
||
|
Backing vocals by |
|||
|
Vocal chorus by |
|
|
Notes: |
|
|
LIPSTICK ON YOUR COLLAR Guitar Solo by BUCKY PIAZZARELLI ? |
||
|
32./-49 |
Studio Session for MGM, \\ June 25th, 1959 |
|
Room No: |
Studio: |
UN |
|
Hours: |
UN |
|
|
Producer: |
UN |
|
|
Engineer: |
UN |
|
59-XY-779 ~ |
I ALMOST LOST MY MIND |
2' 55" |
SB-9 'A' EP X 1691 |
E 3794 |
831 995-2 |
||
|
Ivory Joe Hunter-/ Ivory Joe Hunter |
(C) |
(P) 1959 |
|||||
|
59-XY-780 ~ |
I'M WALKIN' |
2' 00" |
EP X 1693 |
E 3794 |
831 995-2 |
||
|
Antoine 'Fats' Domino-Dave Bartholomew |
(C) |
(P) 1959 |
|||||
|
59-XY-781 ~ |
JUST A DREAM |
2' 53" |
EP X 1692 |
E 3794 |
831 995-2 |
||
|
Jimmy Clanton-Cosimo Matassa |
(C) |
(P) 1959 |
|||||
|
59-XY-782 ~ |
HEARTBREAK HOTEL |
2' 00" |
SB-8 'A' EP X 1691 |
E 3794 |
831 995-2 |
||
|
Mae Boren Axton-/Tommy Durden (Elvis Presley) * |
(C) |
(P) 1959 |
|||||
|
59-XY-783 ~ |
I HEAR YOU KNOCKIN' |
2' |
MONO version with additional voice caption. |
E 3794 |
|
||
|
Dave Bartholomew-Paul King |
(C) |
(P) 1959 |
|||||
|
59-XY-783 ~ |
I HEAR YOU KNOCKIN' |
2' 50" |
STEREO version |
SE 3794 |
831 995-2 |
||
|
Dave Bartholomew-Paul King |
(C) |
(P) 1959 |
|||||
|
Musicians: |
|||
|
Vocal: |
Connie Francis |
||
|
Orchestra conducted by |
Ray Ellis (9 Musicians) |
||
|
Backing vocals by |
|||
|
Vocal chorus by |
|
|
Notes: |
|
|
33./-49 |
Studio Session for MGM, \\ July 6th, 1959 |
|
Room No: |
Studio: |
UN |
|
Hours: |
UN |
|
|
Producer: |
UN |
|
|
Engineer: |
UN |
|
59-XY-789 ~ |
TWEEDLE DEE |
2' 30" |
Studio version |
~ |
E 3794 |
831 995-2 |
|
|
Winfield Scott-/ Winfield Scott |
(C) 1954 |
(P) 1959 |
Progressive Music Co.Inc. ASCAP |
||||
|
59-XY-790 ~ |
AIN'T THAT A SHAME |
2' 15" |
LL 5009 'B' EP X 1693 |
E 3794 |
831 995-2 |
||
|
Antoine "Fats" Domino-Dave Bartholomew |
(C) |
(P) 1959 |
|||||
|
59-XY-791 ~ |
IT'S ONLY MAKE BELIEVE |
2' 25" |
~ |
E 3794 |
831 995-2 |
||
|
Conway Twitty-Jack Nance |
(C) |
(P) 1959 |
|||||
|
59-XY-792 ~ |
SINCERELY |
2' 50" |
MGM 6527 'B' EP X 1692 |
E 3794 |
831 995-2 |
||
|
Allan Freed-Harvey Fuqua |
(C) |
(P) 1959 |
|||||
|
59-XY-793 ~ |
DON'T BE CRUEL |
1' |
MONO version |
|
E 3794 |
||
|
Otis Blackwell -/Otis Blackwell (Elvis Presley) * |
(C) |
(P) 1959 |
|||||
|
59-XY-793 ~ |
DON'T BE CRUEL |
1' 42" |
STEREO version |
~ |
SE 3794 |
831 995-2 |
|
|
Otis Blackwell-/ Otis Blackwell (Elvis Presley) * |
(C) |
(P) 1959 |
|||||
cont..33
|
Musicians: |
|||
|
Vocal: |
Connie Francis |
||
|
Orchestra conducted by |
Ray Ellis (8 Musicians) |
||
|
Backing vocals by |
|||
|
Vocal Chorus by |
|
|
Notes: |
|
|
34./-49 |
Studio Session for MGM, \\ July 9th, 1959 |
|
Room No: |
Studio: |
Metropolitan, New York city, New York |
|
Hours: |
10.00-13.00 |
|
|
Producer: |
Ray Ellis |
|
|
Engineer: |
UN |
|
59-XY-797 ~ |
BYE BYE LOVE |
2' 27" |
First Recording SOLO recording |
~ |
E 3795 |
847 751-2 |
|
|
?.Boudleaux & Felice Bryant |
(C) |
(P) 1959 |
|||||
|
59-XY-798 ~ |
EARTH ANGEL |
3 0 |
~ |
~ |
BCD 15616 EI |
||
|
Rudy Jackson-Eddie Ray |
(C) |
(P) 1993 |
|||||
|
59-XY-799 ~ |
HEARTS OF STONE |
1' 55" |
SB-7 'A' EP X 1695 |
E 3795 |
POCP 1509 |
||
|
R Jackson-E Ray |
(C) |
(P) 1959 |
|||||
|
59-XY-800 ~ |
SILHOUETTES |
2' 42" |
~ |
E 3794 |
831 995-2 |
||
|
Frank. C. Slay Jnr.-Bob Crewe |
(C) |
(P) 1959 |
|||||
|
59-XY-801 12/of 59-S- |
PLENTY GOOD LOVIN' |
2' 05" |
K 12824 'A' SK 50129 X 1687 |
E 3793 2353.039 |
|||
|
Connie Francis-/ Connie Francis |
(C) 1959 |
(P) 1959 |
Francon Music ASCAP |
||||
|
Musicians: |
|||
|
Vocal: |
Connie Francis |
||
|
Orchestra conducted by |
Ray Ellis (11 musicians) |
||
|
Backing vocals by |
|||
|
Vocal chorus by |
|
|
Notes: |
|
|
Plenty Good Lovin'...FIRST Recording that made the FRANCON MUSIC COMPANY [Connie's Music Company] |
||
|
35./-49 |
Studio Session for MGM, \\ July 10th, 1959 |
|
Room No: |
Studio: |
Metropolitan, New York city, New York |
|
Hours: |
UN |
|
|
Producer: |
Ray Ellis |
|
|
Engineer: |
UN |
|
59-XY-802 ~ |
SINGING THE BLUES |
2' 15" |
First Recording SOLO version |
SB-6, 'A' EP X 1694 |
E 3795 |
847 751-2 |
|
|
Melvin Endsley -/Melvin Endsley |
(C) |
(P) 1959 |
|||||
|
59-XY-803 ~ |
MY SPECIAL ANGEL |
2' 50" |
~ |
E 3795 |
POCP 1509 |
||
|
Jimmy Duncan-/ Jimmy Duncan |
(C) |
(P) 1959 |
|||||
|
59-XY-804 ~ |
TENNESSEE WALTZ |
2' 50" |
LL 2076 'A' EP X 1694 |
E 3795 |
POCP 1509 |
||
|
Pee Wee King-Redd Stewart |
(C) |
(P) 1959 |
|||||
|
59-XY-805 ~ |
LET ME GO LOVER |
2' 35" |
SB-7 'B' EP X 1696 |
E 3795 |
BCD 15616 EI |
||
|
Jennie Lou Carson-Al Hill |
(C) |
(P) 1959 |
|||||
|
59-XY-806 ~ |
YOUNG LOVE |
2' 40" |
~ |
E 3795 |
BCD 15616 EI |
||
|
Carole Joyner-Whaley Cartey |
(C) |
(P) 1959 |
|||||
|
Musicians: |
|||
|
Vocal: |
Connie Francis |
||
|
Orchestra conducted by |
Ray Ellis (9 Musicians) |
||
|
Backing vocals by |
|||
|
Vocal chorus by |
|
|
Notes: |
|
|
36./-49 |
Studio Session for MGM, \\ July 11th, 1959 |
|
Room No: |
Studio: |
Metropolitan, New York city, New York |
|
Hours: |
UN |
|
|
Producer: |
Ray Ellis |
|
|
Engineer: |
UN |
|
59-XY-807 ~ |
HALF AS MUCH |
2' 45" |
SB-6 'B' EP X 1696 |
E 3795 |
POCP 1509 |
||
|
Cootie Williams-/ Cootie Williams |
(C) |
(P) 1959 |
|||||
|
59-XY-808 ~ |
ANYTIME |
2' 38" |
First Recording |
LL 2076 'B' EP X 1696 |
E 3795 |
BCD 15616 EI |
|
|
Herbert Lawson -/Herbert Lawson |
(C) |
(P) 1959 |
|||||
|
59-XY-809 ~ |
YOUR CHEATIN' HEART |
2' 15" |
45S-31-M 'B' /St EP X 1694 |
E 3795 |
CD CST 56 |
||
|
Hank Williams Snr-/ Hank Williams Snr |
(C) |
(P) 1959 |
|||||
|
59-XY-810 ~ |
COLD, COLD HEART |
2' 43" |
~ EP X 1696 |
E 3795 |
847 751-2 |
||
|
Hank Williams Snr-/ Hank Williams Snr |
(C) |
(P) 1959 |
|||||
|
59-XY-811 ~ |
(THERE 'LL BE) PEACE IN THE VALLEY (FOR ME) |
3' |
MONO version ABRIDGED |
~ |
E 3795 |
||
|
Thomas A. Dorsey -/Thomas .A. Dorsey |
(C) |
(P) 1959 |
|||||
|
59-XY-811 ~ |
(THERE 'LL BE) PEACE IN THE VALLEY (FOR ME) |
3' 32" |
STEREO version COMPLETE |
~ |
SE 3795 |
BCD 15616 EI |
|
|
Thomas A. Dorsey -/Thomas .A. Dorsey |
(C) |
(P) 1959 |
|||||
|
Musicians: |
|||
|
Vocal: |
Connie Francis |
||
|
Orchestra conducted by |
Ray Ellis (14 Musicians) |
||
|
Backing vocals by |
|||
|
Vocal chorus by |
|
|
Notes: |
|
|
37./-49 |
Studio Session for MGM, \\ July 28th, 1959 |
|
Room No: |
Studio: |
UN |
|
Hours: |
UN |
|
|
Producer: |
UN |
|
|
Engineer: |
UN |
|
59-XY-854 ~ |
THE TIGER AND THE MOUSE |
First Recording Unissued/Lost |
~ |
~ |
~ |
||
|
Doc Pomus-Mort Shuman |
(C) |
(P) Unissued/lost |
|||||
|
Musicians: |
|||
|
Vocal: |
Connie Francis |
||
|
Orchestra conducted by |
|||
|
Backing vocals by |
|||
|
Vocal chorus by |
|
|
Notes: |
|
|
38./-49 |
Studio Session for MGM, \\ August 20th, 1959 |
|
Room No: |
Studio: |
EMI Studio, Abbey Road, London, England |
|
Hours: |
UN |
|
|
Producer: |
UN |
|
|
Engineer: |
UN |
|
59-XY-900 ~ |
TOO YOUNG |
2 5 |
~ |
~ |
BCD 15616 EI |
||
|
Sylvia Dee-Sid Lippman |
(C) |
(P) 1993 |
|||||
|
59-XY-903 ~ |
TEMPTATION |
2 1 |
~ |
~ |
BCD 15616 EI |
||
|
Alan Freed-N.H.Brown |
(C) |
(P) 1993 |
|||||
|
59-XY-910 ~ |
YOU MADE ME LOVE YOU |
4 1 |
SPF 1084 'B' EP X 1703 |
LCR 001 |
BCD 15616 EI |
||
|
Joe McCarthy-James.V.Monaco |
(C) |
(P) 1959 |
|||||
|
59-XY-909 ~ |
PRISONER OF LOVE |
3 3 |
~ |
~ |
BCD 15616 EI |
||
|
Leo Robin-Russ Colombo |
(C) |
(P) 1993 |
|||||
|
Musicians: |
|||
|
Vocal: |
Connie Francis |
||
|
Orchestra conducted by |
Cyril Ornadel |
||
|
Backing vocals by |
|||
|
Vocal chorus by |
|
|
Notes: |
|
|
39./-49 |
Studio Session for MGM, \\ August 21st, 1959 |
|
Room No: |
Studio: |
EMI Studio, Abbey Road, London, England |
|
Hours: |
UN |
|
|
Producer: |
UN |
|
|
Engineer: |
UN |
|
59-XY-906 ~ |
YOUNG AT HEART |
3 2 |
First Recording |
MGM 8038 'B' EP X 1703 |
LCR 002 |
BCD 15616 EI |
|
|
Carolyn Leigh-Johnny Richards |
(C) |
(P) 1959 |
|||||
|
59-XY-907 ~ |
IT'S NOT FOR ME TO SAY |
3 1 |
~ |
~ |
314 . 511 855-2 |
||
|
R. Allen-A.llan Stillman |
(C) |
(P) 1992 |
|||||
|
59-XY-901 ~ |
THINKING OF YOU |
2 4 |
~ |
~ |
BCD 15616 EI |
||
|
Bert Kalmar-Harry Ruby |
(C) |
(P) 1993 |
|||||
|
59-XY-905 ~ |
THAT'S MY DESIRE |
3 1 |
~ |
~ |
BCD 15616 EI |
||
|
Caroll Loveday-Helmy Kresa |
(C) |
(P) 1993 |
|||||
|
Musicians: |
|||
|
Vocal: |
Connie Francis |
||
|
Orchestra conducted by |
Cyril Ornadel |
||
|
Backing vocals by |
|||
|
Vocal chorus by |
|
|
Notes: |
|
|
40./-49 |
Studio Session for MGM, \\ August 22nd, 1959 |
|
Room No: |
Studio: |
EMI Studio, Abbey Road, London, England |
|
Hours: |
UN |
|
|
Producer: |
UN |
|
|
Engineer: |
UN |
|
59-XY-902 ~ |
BECAUSE OF YOU * |
3 1 |
SPF 1084 'A' X 1703 |
LCR 003 SMI-1-94 PR |
BCD 15616 EI |
||
|
Arthur Hammerstein Dudley Wilkenson |
(C) |
(P) 1959 |
|||||
|
59-XY-904 ~ |
WHERE THE BLUE OF THE NIGHT (MEETS THE GOLD OF THE DAY) * |
2 5 |
~ |
~ |
BCD 15616 EI |
||
|
Bing Crosby-Roy Turk-Fred .E. Ahlert |
(C) |
(P) 1993 |
|||||
|
59-XY-911 ~ |
APRIL LOVE * |
3 5 |
First Recording |
~ |
PDL2-1167 |
BCD 15616 EI |
|
|
Sammy Fain-Paul Francis Webster |
(C) |
(P) 19 |
|||||
|
59-XY-924 ~ |
CIAO, CIAO BAMBINA (PIOVE) ** |
2' 52" |
1st version |
LL 2069 'B' SB-10 'B' |
E 3791 |
||
|
Domenico Modugno Eduardo Verde |
(C) |
(P) 1959 |
|||||
|
59-XY-924 ~ |
CIAO, CIAO BAMBINA (PIOVE) ** |
2 '5 |
2nd version with narration |
~ |
~ |
314 53 9556-2 |
|
|
Domenico Modugno Eduardo Verde |
(C) |
(P) 1997 |
|||||
|
59-XY-926 ~ |
ANEME E CORE (HOW WONDERFUL TO KNOW) ** |
3' 03" |
E 3791 |
||||
|
Salvatore DEsposito-Curtis Mann-Harry Akst-Domenico Titomanglio |
(C) |
(P) 1959 |
|||||
|
59-XY-927 ~ |
VOLARE (NEL BLU, DIPINTO DI BLU) ** |
3' 19" |
1st version FAST |
E 3791 |
|||
|
Domenico Modugno-Franco Migliacci |
(C) |
(P) 1959 |
|||||
|
59-XY-927 ~ |
VOLARE (NEL BLU, DIPINTO DI BLU) ** |
2nd version SLOW Unreleased |
Unissued |
Unissued |
Unissued |
||
|
Domenico Modugno-Franco Migliacci |
(C) |
(P) 200 |
|||||
|
59-XY-932 ~ |
NON DIMENTICAR (DON'T FORGET) (THO VOLUTO BENO) ** |
3' 16" |
E 3791 |
||||
|
Gino Redi-Michelle Goldieri-Shelley Debbins |
(C) |
(P) 1959 |
|||||
|
59-XY-933 ~ |
YOU ALONE (SOLO TU) ** |
2' 57" |
E 3791 |
||||
|
A.llan Stillman-R. Allen |
(C) |
(P) 1959 |
|||||
40cont...
|
Musicians: |
|||
|
Vocal: |
Connie Francis |
||
|
Orchestra conducted by |
* Cyril Ornadel |
||
|
Orchestra conducted by |
** Tony Osborne |
||
|
Backing vocals by |
|
|
Notes: |
|
|
41./-49 |
Studio Session for MGM, \\ August 23rd, 1959 |
|
Room No: |
Studio: |
EMI Studio, Abbey Road, London, England? (Possibly in a church nearby, or the Abbey?) |
|
Hours: |
UN |
|
|
Producer: |
UN |
|
|
Engineer: |
UN |
|
59-XY-912 ~ |
I'LL BE HOME FOR CHRISTMAS |
3' 35" |
HK 5032 'A' ~ |
E 3792 |
823 561-2 |
||
|
Kim Gannen-Walter Kent-Buck Ram |
(C) |
(P) 1959 |
|||||
|
59-XY-913 ~ |
THE CHRISTMAS SONG (CHESTNUTS ROASTING ON AN OPEN FIRE) |
3' 23" |
K 2061 'A' ~ |
E 3792 |
823 561-2 |
||
|
Mel Torme-Robert Wells |
(C) |
(P) 1959 |
|||||
|
59-XY-916 ~ |
WINTER WONDERLAND |
2' 41" |
LL 5028 'B' ~ |
E 3792 |
823 561-2 |
||
|
Dick Smith-Felix Bernard |
(C) |
(P) 1959 |
|||||
|
59-XY-923 ~ |
(I'M DREAMING OF A) WHITE CHRISTMAS |
3' 24" |
LL 2090 'A' X 2500 |
E 3792 |
823 561-2 |
||
|
Irving Berlin-/ Irving Berlin |
(C) |
(P) 1959 |
|||||
|
Musicians: |
|||
|
Vocal: |
Connie Francis |
||
|
Orchestra conducted by |
Geoff Love |
||
|
Backing vocals by |
|||
|
Vocal chorus by |
|
|
Notes: |
|
|
42./-49 |
Studio Session for MGM, \\ August 25th, 1959 |
|
Room No: |
Studio: |
EMI Studios, Abbey Road, London, England |
|
Hours: |
UN |
|
|
Producer: |
UN |
|
|
Engineer: |
UN |
|
59-XY-928 ~ |
THERE'S NO TOMORROW (O SOLE MIO) |
2' 56" |
SB-8 'B' |
E 3791 |
|||
|
Eduardo DiCapua-Al Hoffman-Leo Corday-Leon Carr-Giovanni Capurro |
(C) |
(P) 1959 |
|||||
|
59-XY-929 ~ |
ARRIVEDERCI ROMA |
2' 56" |
E 3791 |
||||
|
Renato Ranucci-Pietro Garinei-Sandro Giovannini-Carl Sigman |
(C) |
(P) 1959 |
|||||
|
59-XY-930 7XMGM-217 59-S- |
MAMA |
3' 55" |
First Recording STUDIO version |
K 12878 'A' |
E 3791 |
831 699-2 |
|
|
Hall Barlow-Phil Brito-Bruno Cherubini-/ Cesare Bixio |
(C) 1941, 1955,1959 |
(P) 1959 |
Southern Music Publ Co. ASCAP |
||||
|
59-XY-937 ~ |
I HAVE BUT ONE HEART - (VICIN O MARE) (O MARENARIELLO) |
3' 33" |
E 3791 |
||||
|
Johnny Farrow-Marty Symes |
(C) |
(P) 1959 |
|||||
|
Musicians: |
|||
|
Vocal: |
Connie Francis |
||
|
Orchestra conducted by |
Tony Osborne |
||
|
Backing vocals by |
|||
|
Vocal chorus by |
|
|
Notes: |
|
|
43./-49 |
Studio Session for MGM, \\ August 26th, 1959 |
|
Room No: |
Studio: |
EMI Studios, Abbey Road, London, England |
|
Hours: |
UN |
|
|
Producer: |
UN |
|
|
Engineer: |
UN |
|
59-XY-908 ~ |
CRY * |
3 1 |
First Recording |
~ |
MG-1-5406 |
BCD 15616 EI |
|
|
Churchill-L .Kohlman |
(C) |
(P) 1981 |
|||||
|
59-XY-914 ~ |
THE 12 DAYS OF CHRISTMAS *** |
5' 18" |
~ |
E 3792 |
823 561-2 |
||
|
Traditional |
(C) |
(P) 1959 |
|||||
|
59-XY-915 ~ |
HAVE YOURSELF A MERRY LITTLE CHRISTMAS *** |
4' 30" |
TB 1 'A/B' |
E 3792 |
823 561-2 |
||
|
Hugh Martin-Ralph Blane |
(C) |
(P) 1959 |
|||||
|
59-XY-917 ~ |
THE FIRST NOEL *** |
3' 10" |
~ |
E 3792 |
823 561-2 |
||
|
Traditional-Adaptation by George M. Shaw |
(C) |
(P) 1959 |
|||||
|
59-XY-922 ~ |
THE LORD'S PRAYER *** |
2' 56" |
LL 5012 'B' EPM 6010 |
E 3792 |
823 561-2 |
||
|
Traditional-Adaptation by George M. Shaw |
(C) |
(P) 1959 |
|||||
|
59-XY-925 ~ |
COME BACK TO SORRENTO (RITORNA A SORRIENTE) ** |
2' 56" |
SB-9 'B' |
E 3791 |
|||
|
Mel Torme-Robert Wells |
(C) |
(P) 1959 |
|||||
|
59-XY-931 ~ |
SANTA LUCIA ** |
3' 12" |
E 3791 |
||||
|
Traditional-Adaptation by George . M . Shaw |
(C) |
(P) 1959 |
|||||
|
59-XY-934 59-S- |
DO YOU LOVE ME LIKE YOU KISS ME - (SCAPRICCIATIELLO) ** |
2' 39" |
MGM 1046 'B' |
E 3791 |
|||
|
Pacifico Vento-Ferdinando Albano-Hoffman-Manning |
(C) |
(P) 1959 |
|||||
|
59-XY-935 ~ |
COMME' BELLA A STAGIONE (WHEN I HOLD YOU IN MY ARMS) ** |
1' 51" |
E 3791 |
||||
|
George Brown-Gigi Pisano-Ridolfo Falvo |
(C) |
(P) 1959 |
|||||
..43.cont
|
Musicians: |
|||
|
Vocal: |
Connie Francis |
||
|
Orchestra conducted by |
* Cyril Ornadel |
||
|
Orchestra conducted by |
** Tony Osborne |
||
|
Orchestra conducted by |
*** Geoff Love |
|
|
Notes: |
|
|
44./-49 |
Studio Session for MGM, \\ August 27th, 1959 |
|
Room No: |
Studio: |
EMI Studios, Abbey Road, London, England |
|
Hours: |
UN |
|
|
Producer: |
UN |
|
|
Engineer: |
UN |
|
59-XY-918 ~ |
SILENT NIGHT, HOLY NIGHT *** |
3' 52" |
LL 2090 'B' X 2500 |
E 3792 |
823 561-2 |
||
|
Traditional-Adaptation by George M. Shaw |
(C) |
(P) 1959 |
|||||
|
59-XY-919 ~ |
O LITTLE TOWN OF BETHLEHEM *** |
2' 57" |
~ |
E 3792 |
823 561-2 |
||
|
Traditional-Adaptation by George M. Shaw |
(C) |
(P) 1959 |
|||||
|
59-XY-920 ~ |
ADESTE FIDELES (O COME ALL YE FAITHFUL) *** |
3' 06" |
English/ Latin |
MGM 8045 'B' X 2500 |
E 3792 |
823 561-2 |
|
|
Traditional-Adaptation by George M. Shaw |
(C) |
(P) 1959 |
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59-XY-921 ~ |
AVE MARIA *** |
2' 50" |
Schubert version/ In Latin |
MGM 25.006 'B' X 2500 |
E 3792 |
823 561-2 |
|
|
Traditional-Adaptation by George M. Shaw |
(C) |
(P) 1959 |
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|
59-XY-936 ~ |
TOWARD THE END OF THE DAY ** |
3' 16" |
Second Recording -English/Italian version. |
E 3791 |
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|
A .Stillman-Jeffrey-Dentato |
(C) |
(P) 1959 |
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Musicians: |
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Vocal: |
Connie Francis |
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Orchestra conducted by |
** Tony Osborne |
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Orchestra conducted by |
*** Geoff Love |
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Backing vocals by |
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Notes: |
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|
45./-49 |
Studio Session for MGM, \\ September 21st, 1959 |
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Room No: |
Studio: |
UN |
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Hours: |
UN |
|
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Producer: |
UN |
|
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Engineer: |
UN |
|
59-XY-977 ~ |
REGGIE THE ROOSTER |
2 '04" |
~ |
L 70126 ~ |
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|
Don Canton-George Goehring-Walter Mack-Vin Roddie |
(C) |
(P) 1959 |
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|
59-XY-978 ~ |
OSCAR THE OCTOPUS |
1 '48" |
~ |
L 70126 ~ |
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|
Don Canton-George Goehring-Walter Mack-Vin Roddie |
(C) |
(P) 1959 |
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|
59-XY-979 ~ |
SAMMY THE SILKWORM |
2 '10" |
~ |
L 70126 ~ |
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|
Don Canton-George Goehring-Walter Mack-Vin Roddie |
(C) |
(P) 1959 |
|||||
|
59-XY-980 ~ |
KITTY , THE KANGAROO |
1 '39" |
~ |
L 70126 ~ |
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|
Don Canton-George Goehring-Walter Mack-Vin Roddie |
(C) |
(P) 1959 |
|||||
|
59-XY-981 ~ |
PINKY THE PENGUIN |
2 '15" |
~ |
L 70126 ~ |
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|
Don Canton-George Goehring-Walter Mack-Vin Roddie |
(C) |
(P) 1959 |
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|
59-XY-982 ~ |
NANCY THE NIGHTINGALE |
2 '04" |
~ |
L 70126 ~ |
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|
Don Canton-George Goehring-Walter Mack-Vin Roddie |
(C) |
(P) 1959 |
|||||
|
Musicians: |
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|
Vocal: |
Connie Francis |
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|
Orchestra conducted by |
Ray Ellis |
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Backing vocals by |
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Vocal chorus by |
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Notes: |
|
|
46./-49 |
Studio Session for MGM, \\ September 22nd, 1959 |
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Room No: |
Studio: |
UN |
|
Hours: |
UN |
|
|
Producer: |
UN |
|
|
Engineer: |
UN |
|
59-XY-989 ~ |
ELMER THE ELEPHANT |
1 '58" |
~ |
L 70126 ~ |
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|
Don Canton-George Goehring-Walter Mack-Vin Roddie |
(C) |
(P) 1959 |
|||||
|
59-XY-990 ~ |
GERTRUDE THE GOLDFISH |
1 '45" |
~ |
L 70126 ~ |
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|
Don Canton-George Goehring-Walter Mack-Vin Roddie |
(C) |
(P) 1959 |
|||||
|
59-XY-991 ~ |
HAROLD THE HIPPO |
2 '14" |
~ |
L 70126 ~ |
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|
Don Canton-George Goehring-Walter Mack-Vin Roddie |
(C) |
(P) 1959 |
|||||
|
59-XY-992 ~ |
CHESTER THE CHIMPANZEE |
1 '30" |
~ |
L 70126 ~ |
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|
Don Canton-George Goehring-Walter Mack-Vin Roddie |
(C) |
(P) 1959 |
|||||
|
59-XY-1039 ~ |
DINAH THE DINOSAUR |
2 '17" |
~ |
L 70126 ~ |
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|
Don Canton-George Goehring-Walter Mack-Vin Roddie |
(C) |
(P) 1959 |
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|
59-XY-1040 ~ |
BUSTER THE BUTTERFLY |
1 '45" |
~ |
L 70126 ~ |
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|
Don Canton-George Goehring-Walter Mack-Vin Roddie |
(C) |
(P) 1959 |
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cont...46
|
Musicians: |
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|
Vocal: |
Connie Francis |
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|
Orchestra conducted by |
Ray Ellis (11 Musicians) |
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Backing vocals by |
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Vocal chorus by |
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Notes: |
|
|
47./-49 |
Studio Session for MGM, \\ October 14th, 1959 |
|
Room No: |
Studio: |
Regent Studio, New York city, New York |
||||||
|
Hours: |
19.00-22.00 |
|||||||
|
Producer: |
Ray Ellis |
|||||||
|
Engineer: |
UN |
|||||||
|
59-XY-1050 59-S- |
GOD BLESS AMERICA |
2' 41" |
MONO -vocal both channels |
K 12841 'B' |
E 3942 |
|||
|
Irving Berlin-/ Irving Berlin |
(C) 1918 |
(P) 1959 |
Irving Berlin ASCAP |
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|
59-XY-1050 ~ |
GOD BLESS AMERICA |
2' 41" |
STEREO -vocal - right channel only |
SK 50133 |
~ |
|||
|
Irving Berlin -/Irving Berlin |
(C) 1918 |
(P) 1961 |
Irving Berlin ASCAP |
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|
59-XY-1051 59-S- |
AMONG MY SOUVENIRS |
2' 28" |
First Recording |
K 12841 'A' SK 50133 |
E 3942 |
827 569-2 Y-1 |
||
|
Edgar Leslie-/ Horatio Nicholls |
(C) 1927 |
(P) 1959 |
De Sylva,Brown & Henderson Inc. ASCAP |
|||||
|
59-XY-1052 11/0f ~ |
(HAPPY LITTLE) SNAPDRAGON |
False start |
BCD 15616 EI |
|||||
|
Jerry Leiber-Mike Stoller |
||||||||
|
59-XY-1052 12/of ~ |
(HAPPY LITTLE) SNAPDRAGON |
2 1 |
BCD 15616 EI |
|||||
|
Jerry Leiber-Mike Stoller |
||||||||
|
59-XY-1053 02/of ~ |
NO ONE (BUT YOU) |
First Recording 1st version |
BCD 15616 |
|||||
|
Doc Pomus-Mort Schuman |
||||||||
|
59-XY-1053 ~ |
NO ONE (BUT YOU) |
2 5 |
First Recording |
831.698-2 |
BCD 15616 |
|||
|
Doc Pomus-Mort Schuman |
||||||||
|
59-XY-1054 04/of ~ |
THE TIGER AND THE MOUSE |
Second Recording? 1st version |
BCD 15616 EI |
|||||
|
Doc Pomus-Mort Shuman |
||||||||
|
59-XY-1054 07 /of |
THE TIGER AND THE MOUSE |
Second Recording False Start |
BCD 15616 EI |
|||||
|
Doc Pomus-Mort Shuman |
||||||||
|
59-XY-1054 08/of ~ |
THE TIGER AND THE MOUSE |
Second Recording? 2nd version |
831.698-1 |
831.698-2 |
||||
|
Doc Pomus-Mort Shuman |
||||||||
cont...47
|
Musicians: |
|||
|
Vocal: |
Connie Francis |
||
|
Orchestra conducted by |
Ray Ellis |
||
|
Backing vocals: |
|||
|
Vocal chorus by |
|
|
Notes: |
|
|
48./-49 |
Studio Session for MGM, \\ October 15th, 1959 |
|
Room No: |
Studio: |
Regent Studio, New York City, NY |
|
Hours: |
||
|
Producer: |
Ray Ellis |
|
|
Engineer: |
UN |
|
59-XY-1053 |
NO ONE (BUT YOU) |
First Recording |
|||||
|
Doc Pomus-Mort Shuman |
|||||||
|
59-XY-1054 |
THE TIGER AND THE MOUSE |
Second Recording |
|||||
|
Doc Pomus Mort Shuman |
|||||||
|
Musicians: |
|||
|
Vocal: |
Connie Francis |
||
|
Orchestra conducted by |
|||
|
Backing vocals: |
|||
|
Vocal chorus by |
|
|
Notes: |
|
|
According to Connie Files these 2 were recorded on this day..following on an early morning session to complete.further recording details of takes to be left will be added when inform is received. |
||
|
49./-49 |
Studio Session for MGM, \\ October 16th, 1959 |
|
Room No: |
Studio: |
Regent Studio, New York City, NY |
|
Hours: |
||
|
Producer: |
Ray Ellis |
|
|
Engineer: |
UN |
|
59-XY-1054 - |
THE TIGER AND THE MOUSE |
Second Recording |
|||||
|
Doc Pomus-Mort Shuman |
|||||||
|
Musicians: |
|||
|
Vocal: |
Connie Francis |
||
|
Orchestra conducted by |
|||
|
Backing vocals: |
|||
|
Vocal chorus by |
|
|
Notes: |
|
|
Takes not known to me where Connie left off last night session....... |
||